Archive for September, 2010
How to Improve Your Innovation Metrics
Posted by Tim in innovation on 30 September 2010
We’ve written a few posts criticising some of the more common innovation metrics in use, so I thought it would be smart to outline some ways that we can actually develop more effective metrics. Here’s a story that might help:
A while ago I was in charge of managing student recruitment for a tertiary education institution. One of the first things I looked into when I started the job was metrics – how did we measure how well my section was doing? The answer was one number: total number of enrolled students each year. The job that I was given was to increase that number by as much as possible (which begs all kinds of questions about quality, teaching and so on, but let’s set those aside for now…).
The problem was that managing that number as a standalone was hard. Well, impossible, actually. So I looked into what other numbers we had, and I found a that we had measures for total applications received, and total enrolments. I worked with my teams to figure out the path that people took to become students, and we then also figured out a way to measure enquiries. Once we had these numbers, here’s what we did:
We made three metrics: total number of enquiries, the ratio of applications/enquiries, and the ratio of enrolments/applications. Then I made the marketing team responsible for enquiries, the information team responsible for applications/enquiries, and the enrolments team responsible for enrolments/applications.
When my boss told me to increase enrolments as much as possible, he was hoping for a 5% increase. By breaking down the process, developing new metrics, and making people accountable for the measures, we were able to increase enrolments by 12%.
There are several lessons from improving innovation metrics in this:
- Innovation is a process not an event: many things that we often think of as an event are actually processes. Enrolments is a good example – previously my institution only considered the end point, enrolled students. By breaking down the process that we went through to actually get an enrolled student, we were able to improve our ability to get enrolled students.
I think of innovation as a process too – this is the diagram that I use to describe it:

To improve our innovation metrics, we need to first think of it as a process.
- Use multiple metrics: in the enrolments story, we used three metrics that led to the one that we were most interested in (total enrolments). We can do the same for innovation. Once we think of it as a process, then we need to develop metrics for each of the steps that lead to the outcomes that we are looking for from innovation. Innovation is a complex process, and to manage it we need to use multiple metrics.
- Link Your Innovation Metrics to Your Strategy: my tertiary education institution saw increasing enrolments as a central part of its strategy. At the time, the educational sector in New Zealand was fairly turbulent, and there was a strong message from government that it wanted to see the sector consolidated. Increasing enrolments was seen as a way to signal that we were a thriving institution, making it less likely that we’d get absorbed by a larger polytechnic.
We need to do the same thing with innovation – link it to our overall strategy so that it can help drive success. There are a number of broader strategic goals that can be supported by innovation – we just need to be clear about which ones we’re targeting.
- Improve the part of the process that is weakest: when we started tracking the enrolments process, we discovered that we were pretty good at generating enquiries, and very good at converting applications into enrolments. The weak link was converting enquiries into applications.
The information team had been given some sales training before I arrived, which they strongly resisted. They saw their role as helping people, not selling them. We implemented a lot of ideas, but the one that had the greatest impact was getting them to ask at the end of each enquiry that they handled “if you’re interested in the course, would you like to put in an application?”
When they started doing that, the applications/enquiries ratio shot up from about 12% to 18% in a couple of weeks. And we weren’t forcing people to apply – the enrolments/application ratio held steady. If the quality of applications had decreased, this metric would have gone down. It turned out that a lot of people really did want to start studying, but they just needed a small nudge to get started.
In looking at our innovation processes, we need to do the same thing: find the weak link, and figure out how to best improve it. As we’ve said many times before, usually the problem in organisations is not that they don’t have enough ideas, but rather that they need to get better at selecting ideas, or at getting them to spread. In any case, once we have identified the part of the process that is most in need of improvement, then we can figure out to best go about making it better.
Getting innovation metrics right is a challenging task. There is no single number that will tell us everything we need to know to manage innovation. I hope these ideas help you figure out how to measure it better in your organisation.
Note: There is also a good series on innovation metrics by Boris Plukowski on Blogging Innovation: Part 1, Part 2 & Part 3.
Innovating in Horizon 1
Posted by John in innovation on 29 September 2010
After Ralph Ohr’s excellent post on innovation and human capabilites, I’ve been giving some more thought to the three horizons model and how innovation is different within the horizons. The big takeaway from Ralph’s post for me was that we need to manage innovation differently accross the horizons. In other words don’t manage an H1 innovation project in the same way that you would manage innovation in an H3 business.
Today I want to think about the relationship between innovation and value creation in Horizon 1. To quote Ralph:
Horizon 1 represents the company’s core businesses today. It involves implementing innovations that improve your current operations. People most familiar with the needs of the existing customers and deployed technologies are in the best position to identify opportunities for incremental improvements.
So Horizon 1 strategy is about improving performance in the current business. This could be growing market share, driving down costs, or improving margin. Here, innovation needs to focus on improving the current business model. I’ve given some examples of this in a previous post but to make that point again, successful H1 innovators have a disciplined approach to business. In terms of the model set out by Treacy and Wiersma in their book The Discipline of Market Leaders, they make choices to lead on one of three dimensions and benchmark the other two as being fit for purpose, but not the focus of efforts to generate competitive advantage.
I teach all of my strategy courses for corporates with Kevin Hendry, who is a rare combination of excellent presenter, published academic and former vice-president of a Fortune 500 company. Kevin uses this slide to emhasize the importance of choice in where to focus efforts for improvement, but at the same time he reminds us to not ignore the other two dimensions.
OK, so now you’re probably thinking something like…. “Well, if we are innovative then we can be be excellent at everything and blow the competition away”. It’s an attractive thought until you think about the capabilities, people, systems and resources that are required to execute the three value disciplines. Kevin’s corporate experience gives him a keen insight into the difficulty of execution and it’s worth sharing his thoughts from a video we made from one of our courses in May last year.
In other words, think about the strategy map for the three disciplines. The people, systems and operations are quite different and trying to combine them all will result in a very internally conflicted organization and usually result in poor performance.
If the “market leaders choose” principle is true then the role of innovators in horizon 1 is to back up those choices. Clarity and discipline are keys to innovation success in Horizon 1.
How to Innovate with an Utterly Derivative Product
Posted by Tim in business models, innovation strategy on 28 September 2010
I just finished the new novel by William Gibson, Zero History, which prompted me to go back to read his previous two books since the three are loosely connected. I know that these books have polarised his fans, with some hating them and other loving them. I’m in the latter camp – I think his explorations of how the future is already here even though not everyone can see it yet are fascinating.
The first book Gibson wrote that was set basically in the present is Pattern Recognition, which includes this great quote about Tommy Hilfiger:
(The brand is a) simulacra of simulacra of simulacra. A dilute tincture of Ralph Lauren, who had himself diluted the glory days of Brooks Brothers, who themselves had stepped on the product of Jermyn Street and Savile Row … There must be some Tommy Hilfiger event horizon, beyond which it is impossible to be more derivative, more removed from the source, more devoid of soul.
This seems like a pretty accurate assessment of the contributions of Hilfiger to fashion. There’s certainly not much innovation on display in these clothes.
So why have they been so successful?
The answer: business model innovation.
Hilfiger created a different meaning for boring, preppy upmarket clothes. Consider this from the wikipedia entry on Hip Hop Fashion*:
Tommy Hilfiger was one of the most prominent brand in 1990s sportswear… When Snoop Doggy Dogg wore a Hilfiger sweatshirt during an appearance on Saturday Night Live, it sold out of New York City stores the next day. Hilfiger’s popularity was due to its perceived waspiness, which made it seem exclusive and aspirational. Moreover, Hilfiger courted the new hip hop market: black models featured prominently in the company’s advertising campaigns, and rappers like Puffy and Coolio walked during its runways shows
Instead of going for the same market as Ralph Lauren et al., Hilfiger targeted a completely different group of people – rappers! Consequently, they had a different value proposition, and a radically different value network.
It’s a good lesson in the power of business model innovation. Even if your physical product is “a simulacra of simulacra of simulacra”, you can still find a market if you can develop a novel business model.
Fashion may seem like a trivial example, but remember what Seth Godin says:
What you need to understand is that you’re in the fashion business. Things go in and out of fashion. Accounting standards go in and out of fashion. What fashion is about is fads and ephemera and things that come and go because people talk about it. The Aeron chair from Herman Miller is a perfect example. They changed a chair to a fashion statement for white-collar executives.
Give your business model some thought. How can you innovate it? If you can answer that question, you have a chance of creating a new market.
*These details are mostly derived from: Wilbekin, Emil. “Great Aspirations: Hip Hop and Fashion Dress for Excess and Success.” The Vibe History of Hip Hop. Three Rivers Press 1999. Page 280.
The Problem with Metrics
Posted by Tim in innovation on 27 September 2010
I’ve always been a numbers guy. Growing up, I was always pretty good at math. And I enjoyed it – when I went off I thought I wanted to be a math major (until I figured out that at least at my university, all of the math majors were a bit off in the head (and, also, way smarter than me)). I ended up majoring in economics because the math parts of it were attractive.
So it pains me when I have to say that in business, our attempts at measurement are often ill-founded. Many times we end up using numbers as a defence against ambiguity and uncertainty. Most of the time, instead of trying to measure things, we might be better off just getting more comfortable with these states – because bad numbers are worse than no numbers.
I was reminded of this during a conversation last week with a guy with whom I occasionally collaborate. He was bragging about how his company had 5000 followers on twitter, and that they had hired a social media consultant that was adding 300 followers a week.
Pretty impressive numbers.
Except that I know that they’re garbage. They often end up tweeting about posts of mine, and the net result of all this activity in terms of traffic is…. nothing. They have 5000 followers, but none of them are taking any action as near as I can tell.
This reflects the problem with having only one goal, in this case, followers. If you only have one goal, and it isn’t aligned with your overall strategy, you’ll fail to achieve your aims.
I’ve talked before about the problems with innovation metrics, and I’ve include a number of suggestions in this post, and in this one too.
The main points with metrics are:
- Don’t mistake metrics for what we’re actually trying to measure: metrics are proxies – especially if we are trying to measure something abstract like innovation, or the quality of universities. So don’t get too hung up on your metrics – concentrate on your overall goal.
- Align metrics with strategy: no one really wants twitter followers. You want something else – influence, or interaction, or something that one way or another actually does you some good. The interim steps are important, but don’t only measure these. You also need to figure out a way to measure the outcomes of your strategy.
- Use multiple measures of success: this follows from the first two points. Most of the things that we really care about are hard to actually measure. If we are going to try, we need to use multiple measures so that we can triangulate on our desired objectives.
But sometimes, even if you follow all these tips, even if you’re a numbers guy (or girl) like me, you just have to really think hard about whether or not you’re on the right track. That’s often hard to measure, but surprisingly simple to figure out.
(picture from flickr/alist under a Creative Commons License)
Where You Are Still Matters
Yesterday I got fed up with reading about music-sharing services like Pandora and Spotify, because neither is currently available in Australia – quite frustrating. After some hunting around, I finally found deezer.com, a French music-streaming site.* I listened to the Punk Rock radio channel on the site, and discovered a fair number of French bands that I’d never heard before. It used to be pretty hard to find music from all the parts of Europe that weren’t the UK, and it was fun to start digging into a musical history that had been mostly hidden from me.
That got me started on a serendipitous path through my music collection, and throughout the day I ended up listening to music by people from France, Italy, Sweden, Latvia, Jamaica, Algeria and Mali. The music was from many different genres, including punk, reggae, rai and several that I don’t know the name for, which mostly combine regional folk music instruments, lyrics and melodies with western rock tropes. As an example of the latter, check out this song by Garmarna, a great band from Sweden:
The issue with Garmarna is that I don’t really know what genre they fit into, but that reflects my ignorance. The standard response to this kind of categorisation problem is to create a catch-all category, like “World Music”.
When we do this, it’s a mistake. Eugene Hütz, the leader of Gogol Bordello, explains why in an interview from Boing Boing:
Boing Boing: You’ve been quoted as saying you hate the phrase “world music.”
Hütz: The term itself is just kind of weak and mindless, but that’s not the problem. The problem was that it was used wrongly, and misguided listeners for decades, it blocked audiences from being able to hear worldwide rock and roll culture, because anything not in English went into a world music section, like a trash bin that only nerds and geeks bother to go into. A lot of brilliant multicultural rock and roll music, great bands, never reached rock and roll listeners worldwide. I know these bands. Incredible musicians from Brazil, Russia, Italy, France, that end up in the world music section and never found their audience because they don’t speak English. “World music” ruined a lot of musician’s careers.
Boing Boing: Has the internet helped to undo some of that damage, by helping to connect those bands to new audiences now?
Hütz: Absolutely. It didn’t resolve all the problems for us, but it does help communication. The downside is that it multiplies the volume of bad quality recordings and videos out there. There are so many more of them out there now. The sheer volume of material makes it important for people to realize that they must have their own filter, to find really good quality material out there. Filters are more important now.
The critical point in all of this is that even in the digital age, where we are still matters (perhaps a sixth uncomfortable fact for digital maniacs?). Music is interesting, because it is a genuinely global phenomenon. Yet every region has a distinct tradition, with lyrical and musical themes that are replicated within groups of composers and performers. In many cases, the genuinely innovative musicians work within one of these traditions, but they add in bits and pieces from other forms of music (from different genres or different locations, or both) to create something entirely new.
Great music is usually an example of combinatorial creativity. It results from complex interplay between tradition, location, and innovation.
There are a few general innovation lessons in all of this:
- Diversity of thought leads to creativity and innovation: Sturgeon’s Law says that 90% of everything is crap. This is true for most musical genres too (although I sometimes wonder if his 90% number was too optimistic…). The 10% that rise above are the ones that do something more than simply being competent in their recreation of existing tropes. They find new ways to combine ideas. Digital technologies have made it easier to gain exposure to new ideas, but we still have to figure out how to develop novel connections between them.
- We need good filters to find the right ideas to connect: As Hütz points out, the importance of filters increases as the volume of available information increases.
- Beware of garbage can classifications like “World Music”: this is the critical lesson. These kinds of categories end up reflecting our ignorance. This is a problem because we create categories as a way to quickly communicate some basic information about the members of that category. When the category does not reflect genuine differences, its existence can do more harm than good.
This is why terms like Reverse Innovation bother me. The general concept that is being communicated is good – innovation takes place everywhere, and people and firms in developed countries would be wise to pay attention to what’s going on in places that they’ve usually discounted as sources of innovation. This is an important idea, and one that I completely agree with. However, the phrase Reverse Innovation, while catchy, actually reinforces the attitude that it is trying to fight against.
I support the points that Vijay Govindarajan is making when he talks about Reverse Innovation, but I think it’s a terrible category.
Both in music and in innovation, where you are from still matters. Location has a huge influence on the way that we see the world, and on what tools we think to use in dealing with the world. To innovate, we need to find ways to expand the number of ideas that we are exposed to. We also need to able to effectively filter these ideas. To do this, we need to be able to categorise them accurately.
*It’s worth noting that after listening to music on deezer for just a couple of hours, I went out and bought 3 full CDs – something that the labels would do well to remember when they’re negotiating whether or not these services can get licensing to spread more widely. The simple lesson is that people buy music that they’ve heard – something that labels used to know back when they bribed radio DJs to play their songs…
Innovation and Human Capabilities
Posted by Tim in innovation, time on 25 September 2010
Guest Post: by Ralph-Christian Ohr
John Steen wrote a series of posts on why experts and crowds usually miss disruptive innovation and how to use networks to tap expertise and knowledge. I’d like to expand these thoughts a bit more towards the question: what’s the role of human capabilities in innovation? For elaboration, I’m going to combine two concepts I’ve recently come across:
In a terrific post, Nicholas M. Donofrio, Kauffman Senior Fellow and retired EVP of Innovation and Technology, IBM, comments on the need for transformation of human innovation capabilities:
“The innovation that matters now – the innovation that we’re all waiting for, even if we don’t know it – is the one that unlocks the hidden value that exists at the intersection of deep knowledge of a problem and intimate knowledge of a market, combined with your knowledge, your technology, and your capability … whoever you are, whatever you can do, whatever you bring to the table.”
“The kind of people who will be best able to seize these opportunities are those I call “T-shaped” as opposed to “I-shaped.” I-shaped people have great credentials, great educations, and deep knowledge – deep but narrow. The geniuses who win Nobel prizes are “I-shaped,” as are most of the best engineers and scientists. But the revolutionaries who have driven most recent innovation and who will drive nearly all of it in the future are “T-shaped.” That is, they have their specialties – areas of deep expertise – but on top of that they boast a solid breadth, an umbrella if you will, of wide-ranging knowledge and interests. It is the ability to work in an interdisciplinary fashion and to see how different ideas, sectors, people, and markets connect. Natural-born “T’s are perhaps rare, but I believe people can be trained to be T-shaped. One problem is that our educational system is still intent on training more “I’s. We need to change that.”
There are two consequences out of that: I-shaped experts need to transform towards T-shaped in order to thrive in the future. Moreover, companies need to align human resources and structures, so that the overall organization is able to act T-shaped.
Excellent posts by Tim Kastelle, Paul Hobcraft and Sheldon Laube have been published on the concept of the three innovation horizons – each of them is very worth reading. In this framework, Horizon 1 defines the current business, Horizon 2 a related business and Horizon 3 a completely new business that could disrupt the existing business. All of the authors conclude that skills and approach are different for each of the innovation horizons. This also affects the profile of deployed human innovation resources. As we move along the innovation timeline from Horizon 1 towards Horizon 3, a primarily I-shaped capability needs to change in favor of a pronounced T-shaped skill.
Let’s have a look at the three stages and required human innovation capabilities:
Horizon 1 represents the company’s core businesses today. It involves implementing innovations that improve your current operations. People most familiar with the needs of the existing customers and deployed technologies are in the best position to identify opportunities for incremental improvements. Here, experts with a deep knowledge in their respective field of activity are valuable and mandatory to drive these improvements. Incremental innovation is linked to current domain as it optimizes the already existing. It’s primarily related to further deepening existing knowledge and expertise in the current field of business activity.
Horizon 2 includes innovations that extend current competencies into new, related markets and/or technologies. Novel market/technology combinations require a connection of knowledge from diverse fields and functions. In addition to deep expertise in the respective fields, the integration of these knowledge domains gains of importance. Integrators need to be comfortable with acting at the intersection of disciplines and knowledge domains. These knowledge brokers are not just multidisciplinary and socially adaptable, but also exhibit other special psychological traits. They are highly effective in bridging clusters/silos and leverage knowledge flows and connections. According to Rowan Gibson, organizations often fail to implement those bridging structures:
“There are fixed reporting lines, committee groups, task forces, and so forth. Companies tend to consign innovation to a small cadre of ‘experts’ in specialized departments, and they end up having the same people talking to the same people, year after year, so they lose that conversational richness. In many ways, the organizational chart actually inhibits rather than increases the chances of making random, serendipitous connections.”
Horizon 3 consists of nascent business ideas and opportunities that could be future growth engines. These innovations have a potential to change industries and disrupt markets. In order to tap this potential, a further capability is required: the ability to question assumptions and to take different angles. Experts tend to assign too much weight to their own viewpoint and seem to be less able to adjust to, or even consider, other perspectives. Or as John Steen puts it: Expertise is valuable, but it also comes with a cost in terms of existing commitments to old ideas. In an excellent post Don Sull comments on this phenomenon:
“The human mind is hard-wired to reinforce existing maps, even in the face of dis-confirming evidence. Psychologists have documented a depressingly long list of cognitive biases that distort how people process new information and prevent them from noticing when established mental models break down. The “confirmation bias” refers to our tendency to notice data that confirms existing assumptions, and while ignoring or discrediting information which challenges our assumptions. When faced with data that doesn’t jibe with existing assumptions, people typically ignore it, discredit it, or force it to fit their model.”
He further suggests to increase the odds of spotting opportunities by exploring anomalies, or surprising outcomes that deviate from what is expected to happen. Anomalies may signal an external shift or indicate where initial assumptions are wrong.
Takeaway:
Along the three horizons of innovation, the requirements for human innovation capabilities change. While common I-shaped experts are predominant for exploiting the current business (Horizon 1), they need to be enriched by complementary skills for exploring activities (Horizon 2 and 3). More radical innovation requires structures enabling knowledge flows, rather than keeping knowledge stocks. Crucial human capabilities concern making novel connections of ideas, the ability to overcome myopia as well as the integration of different angles. In addition to conventional experts, more T-shaped innovators are crucial to bridge and connect domains. Moreover, they are supposed to have the skill to create new meanings by combining diverse perspectives and questioning the status quo.
Tim’s Note: Ralph is a major contributor to the discussion of innovation on twitter. Several of us have been encouraging him to start writing more about it, because he has a great combination of theory and practical experience in the field. We’re very pleased that we’re able to host this post by Ralph.
Ideas Are Cheap
Posted by Tim in innovation on 24 September 2010
I’ve said it before.
Andrew Hargadon has said it too – and in doing so he quotes Malcolm Gladwell saying it too.
Now one of my favourite current authors Charlie Stross says it as well: ideas are cheap.
Ideas are cheap.
They’re so damn easy to come by that I have difficulty understanding why so many people seem to want to ask me where I get my ideas from. All I do is read widely, and periodically bang a couple of random ideas together until I get a spark. It takes, on average, six to nine months to write a novel; but in brainstorming mode I can come up with half a dozen book-sized ideas in a week.
I have more ideas for books than I have time to write them. Also, some of these ideas are of … dubious, shall we say … commercial value.
The problem for innovation isn’t that we don’t have enough ideas. We might not have enough good ones, but there are always plenty around.
But to innovate, we need great ideas, we need some way to figure out which ones to pursue (a selection process), and we have to figure out how to get the ideas to spread. Successful innovation takes all three.
Stross’ post is interesting because in it he starts to describe his selection process (which ends up being a central part of his creative process). Interestingly, the novel-writing selection process is a funnel – just like the innovation process is in most firms.
He starts out with a bunch of ideas. Many of them fail to merit further development, but for others he starts taking notes. With a subset of those, he starts writing. There are multiple filters in place. It sounds like Stross screens ideas based on a combination of how interesting the idea is, how equipped he is to execute it (is it a story that he’ll be able to write?), and how sellable the book might be.
I’ve got some ideas about how to get better ideas, but before I write them up, I have to figure out which ones are the good ones. Then I have to write them up in a way that makes sense. Similar process – there’s a funnel of blog posts too.
In all of these processes of innovation, the problem is rarely lack of ideas. People and firms usually get stuck either because they have problems selecting the best ones, of they have problems executing the ideas. Those are the things that we need to get better at to be more innovative.
The Core Challenge in Managing Innovation
Posted by Tim in innovation on 23 September 2010
A consistent point of controversy is whether or not innovation can be managed. If you think of innovation only as generating new, novel ideas, then it is very difficult to see how this could be actively managed (although there are in fact things we can do to encourage and improve creative thinking, so even here there is some scope for managing). On the other hand, if you view innovation as a process that includes steps such as generating, selecting, executing and diffusing ideas, then it is a bit easier to see how it might be managed.
Part of the problem here is how we define management. If we view it only as control, then it is hard to manage innovation because control will stifle the creativity needed at the front end of the process. However, if we view the main job of managers as enabling, or removing obstacles, then managing innovation starts to make more sense.
I ran across a quote today from the performance artist Marina Abramovic that helps illustrate the issue. She is talking about how working in a studio can inhibit creativity by encouraging artists to follow a formula:
You understand the kind of work tha twill have success with your audience and you start making it again and again, and you lose yourself. The worst part is that you don’t surprise yourself with your work, you don’t get new ideas, or take risks, because of the possibility of failure. But failure is an incredibly important part of the work. Life itself is what’s important, not studio space.
So this is the problem: to create novel ideas, we have to be working at the edge – out where failure is a distinct possibility, out where the artists are. However, within organisations, unlike artists once we discover something new, we also have to figure out a way to make it again and again.
Managing the tension between these two acts – creation and re-creation – is the core challenge in managing innovation.
It’s so important that the people that write about innovation keep coming up with new ways to state the challenge. James March talks about the need to be good at both exploration and exploitation. Roger Martin reframes this as the need to be good at both reliability (producing consistent results) and validity (producing novel outcomes the fulfil important needs). John Hagel, John Seeley Brown and Lang Davison contrast the creative activities that take place at the edge with the re-creative activities that go on in the core of an organisation.
To innovate we have to discover new things. This requires creativity, experimentation, risk, failure, and novelty. At the same time, to innovate we have to be able to consistently re-create the things that we have discovered. This requires discipline, the elimination of variance, and efficiency.
Michael Tushman calls organisations that can both of these things ambidextrous:
“The Ambidextrous Organization” describes how mature companies can pursue breakthrough growth through a two-pronged effort in which they separate their new, exploratory units from their traditional, exploitive ones while maintaining tight links across units at the senior executive level
Those are the skills we need to be building if we are going to successfully manage an innovation process.
Chance Favours the Connected Mind
Posted by Tim in book riffs, innovation on 22 September 2010
Steven Johnson is a fantastic author, and his next book is about innovation. It is called Where Good Ideas Come From, and it comes out next month. It is the result of a few years of study, where he has investigated creative, innovative environments. He explains the key points from the book in this TED talk:
There are a few key points that are important for people trying to encourage innovation within organisations:
- Ideas are networks: Johnson maintains that innovative ideas at their most basic level are the result of new, novel connections within the mind. Just as important is the environment in which people are working. Those that regularly come into contact with people having diverse interests and viewpoints are more likely to come up with innovative ideas. Innovation = Connections – one of the key themes that we repeatedly come back to here.
- If we want to encourage innovation, we need to design workspaces to support it: this conclusion follows directly from the first point. If good ideas depend on interactions between people, we need to take a network view when we design the spaces in which we’ll work. How can we regularly interact with those that are working on different problems? How can we encourage diverse viewpoints? The physical space has a significant impact on these issues, and we need to take this into account.
- Good ideas are more likely to result from slow hunches: one of the points that Johnson makes is that even when an idea seems to come to us in a flash of inspiration, it usually actually has a longer history behind it. He uses the example of Darwin, who in his autobiography says that the idea for natural selection came to him in a flash one day while he was reading Malthus. However, recent research based on his notebooks shows that the theory had been developing for months prior to that.
Johnson closes the talk with a great story – he tells how GPS developed from the work of two guys that were initially just curious about whether or not they could track the signals from Sputnik. They figured that out. Then they figured out how to use the doppler effect to figure out where Sputnik was. And through a series of similar small steps, we ended up with GPS.
The GPS story demonstrates how ideas generate interactively, and how they can have wildly unexpected outcomes once you execute them. It is a great innovation story – and it shows how chance favours the connected mind.
Note: Here’s another video that has been made to promote the book. It is shorter than the TED video, and uses a completely different set of examples. Both are worth watching. I’m looking forward to the book!
Why Making Mistakes is a Key Innovation Skill
Posted by Tim in innovation, variety on 21 September 2010
One innovation topic that consistently gets people worked up concerns the value of failure. Some say that you have to embrace failure when you are trying to innovate. This makes some sense, since part of the innovation process is controlled experimentation. However, that whole ‘embracing failure’ concept tends to rub people the wrong way – and so many others say that we are better off trying to learn from success.
Personally, I fall more towards the embracing failure camp. However, there are two keys to taking advantage of failure. The first is to be aware that there is a taxonomy of failure – it is much better to fail quickly and cheaply – preferably at the levels of ideas or prototypes rather than full products or entire systems.
The second key is that you need to learn from ideas that don’t work. Stefan Lindegaard had some interesting discussions last month around the concept of smartfailing – which is built on the idea that you can systematically learn from ideas that don’t work out.
Earlier this week, Jon Lebkowsky wrote a post that bears on this issue. You should read the whole post, but here is one of the key quotes (which is taken from a post by Thanissaro Bhikkhu):
Several years ago, a sociologist studied students in a neurosurgery program to see what qualities separated those who succeeded from those who failed. He found ultimately that two questions in his interviews pointed to the crucial difference. He would ask the students, “Do you ever make mistakes? If so, what is the worst mistake you’ve ever made?” Those who failed the program would inevitably answer that they rarely made mistakes or else would blame their mistakes on factors beyond their control. Those who succeeded in the program not only admitted to many mistakes but also volunteered information on what they would do not to repeat those mistakes in the future.
This makes a lot of sense. If every idea that we try out works, that’s not a sign that we’re brilliant, it’s a sign that we’re not trying out enough ideas. In that circumstance, we are not generating enough cognitive variety.
Innovation is an evolutionary process – to work well it depends on having a wide variety of ideas, a good selection process, and a method for getting ideas to spread. Variety, selection and replication – the three building blocks of evolution.
If all of our ideas work, we aren’t introducing enough variety into the process.
That is why failure is important. It is a sign of a healthy innovation process. You don’t necessarily have to embrace failure, but you must be willing to learn from it.
If you combine it with learning, making mistakes is a key innovation skill.
(photo from flickr/fireflythegreat under a Creative Commons License)







